Why I Shoot People

There was a time when I thought that picking up a camera was the quickest path to becoming an artist. And so there I was, with a pink Casio point-and-shoot, ready to bestride the world with effortless artistry. Silly rabbit. Ten years down the hole, and I’m still nowhere close to creating what I’d call ‘art’. The only difference is, now I have a camera that has more functions than my TV remote.

In the early days, I was smitten with the idea of freezing time with a single click. It seemed so… easy. But as the clicks turned into thousands of shutter snaps, the naïveté faded, much like the memories of my initial photos that were more blur than beauty.

I feel no shame in saying there was a stage where every like was a standing ovation, every comment a review. I’d be lying if I said it didn’t give me a rush. Posting a photo and waiting for the likes to roll in was like waiting for rain in a drought. Or electricity after a GPL interlude. But then came the question, was I doing this for art or affirmation?

Now, a decade later, the reality is clear and, ironically, captured in high resolution: I am hooked. It’s not about chasing the elusive dragon of ‘art’ or the digital nods of approval anymore. It’s about the urge to capture the light just right, the colours vividly, the world in a frame – likes or no likes, art or fart.

The addiction is real. There’s no morning without wanting to capture that golden glow off a building. No walk on Regent Street without seeking a story in a single frame. It’s a compulsion, a need, a reflex. My camera has become an extension of my being, a companion in my daily sojourns into the mundane and the magnificent.

I may have embarked on this journey with a naïve ambition, fueled by the simplistic idea of creating art. But over time, the journey has become the destination. Each photograph, a reflection of my growth, each snapshot, a lesson in humility.

So, the learning quest continues. Point-and-shoot in pocket (ninja black), I step into the light, chasing shadows, textures, and the endless stories that lie in wait. There’s a subtle joy in this routine, satisfaction in the click of the shutter, a quiet dialogue between me and the myriad hues of life.

I’ll still take likes though.

Click click.


Kwesi is a communications specialist who spent over a dozen years as a practicing journalist.

Follow him on Facebook, and on Instagram.

PhotoTalk – Wildlife; Kester Clarke and Kwesi Isles

First in the PhotoTalk series.

PhotoTalk 2020/01

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I’ve always admired those folks who do wildlife photography, in Guyana its mostly Bird Photography, but they do get in quite a bit of wildlife too. For local art competitions and exhibitions its been hard for these photos to break into the top where they are considered art.

My view on this has always been that the photographers approach has a lot to do with it. Many Bird Photographers are concentrating on catching the Bird, whether at rest or in flight, its not an easy task to get a great shot of the bird; what results most times are what I consider Bird Portraits, again, excellent work, but often not considered “art” by many.

I was discussing this with an artist and one of the things I came away from that conversation with was that the resulting photographs often lacked other compositional elements related to “story-telling”.

I wanted to mention two “Bird” photographs that, in my opinion, broke through that barrier and by themselves speak volumes. Kester Clarke’s image gives not only action in a still frame, but also offers drama, the shallow depth of field, the sharp details in the birds with the bit of motion blur on the wings makes it an instant pleaser. Kwesi Isles’ image uses subtle background detail with sharp foreground detail in the “post” to add to the main subject in flight, putting it in greyscale lets the viewer see all of this while being undistracted by colour, I haven’t seen the coloured version, but I believe that the background colour would have diminished the clarity seen in the black and white version.

Just my two cents. 

Thanks Kester and Kwesi!

Michael C. Lam


Originally published on the Guyana Photographers’ Facebook page on March 25th, 2020. Comments can be seen there on the post.